Into the Forest!

The installation Into the Forest opened in Pittsburgh at the Spinning Plate Gallery on November 10, 2017. Over 300 artists contributes from all over the globe. (27 countries and 37 states) The exhibit runs through December 3, 2017. 

For a peek see the facebook live video streamed November 11, 2017 by Ann Duncan Hlavach to the IPCA Members Only page posted

.be">here on the IPCA YouTube channel.

For more info Visit the Into the Forest website here.

A Response to "Copying vs. Stealing"

I just discovered an article on the IPCA's website, written by Kerrie Venner, VP for Education and Outreach. Kerrie's article is here.

The article talked about my artwork and a blog article I wrote about my work being copied. Kerrie refers to me as an example of an artist who has published directions for making my artwork who then gets "antsy" when people copy it. She states that she doesn't understand what's wrong with coveting my little totem animals, then making her own versions for her own use, and even to sell, since her customers probably aren't familiar with my work anyway.

Read more: A Response to "Copying vs. Stealing"

"To Boldly Go" on YouTube

The competition presentation for the 2017 IPCA International Polymer Clay Awards “To Boldly Go” is now available for viewing on the IPCA YouTube channel. There were 60 pieces of art by 28 artists representing 10 countries. You may see the video full-screen here or below.

Thank you to all the participants. Congratulations to the winners!

Copying vs Stealing

I was reading Luann Udell's blog recently. Luann makes lovely faux ivory and bone figures inspired by her love of the prehistoric Lascaux cave paintings, which she incorporates into intricate and very beautiful wall-hangings. In her blog, Luann is talking about how she feels when she sees her work copied. Her musings are full of insight and her journey of understanding is interesting, and I recommend you read it for yourself. It made me think about this question as well, and it is a thorny and controversial subject. In my own artistic journey, I am still at the stage of learning new techniques and discovering for myself the seemingly unending ways it is possible to use polymer clay. My primary source of learning is still working through projects devised by other artists. I am naturally drawn to those projects that have the finished item I covet. I want that item. I want to see how to make that item, learning as I go. 

Read more: Copying vs Stealing

Mike Buesseler Videos Now Available on the IPCA YouTube Channel

Mike Buesseler Autumn Birches 1995Mike Buesseler
Autumn Birches(1995)
Following a very determined and successful campaign by Tonja Lenderman to track down Mike Buesseler's videos and the generosity of Tory Hughes, whose company owns them, the IPCA is very happy to announce a permanent home from where they can be viewed.

Tory made it a condition that there is to be no charge for the videos and Tonja has added a note to each one to that effect. They must also be freely available to all, not just our members, and we are very happy to agree to that. Enjoy watching a polymer master in action! Thank you very much Tonja and Tory.

Read more: Mike Buesseler Videos Now Available on the IPCA YouTube Channel