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POLYinforMER Continues to Evolve |
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Thursday, 22 March 2007 05:36 |
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The POLYinforMER continues to respond to the NPCGs evolution.
Our new website guarantees faster sharing of much of the information once published in the quarterly newsletter.
On-line resources and commercial publications offer a wide array of projects and techniques for the novice as well as the experienced clayer.
We see the POLYinforMER becoming a source of in depth feature articles about great artists, fabulous workshops, retreats and guild events. We want our articles to inspire and excite you.
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Last Updated on Thursday, 22 March 2007 06:17 |
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Winter CHA Bottles of Hope |
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Tuesday, 20 March 2007 04:45 |
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Congratulations to the Amaco Bottles of Hope Challenge Winners:
Best Use of Product....Anne Igou (tie)
Best Use of Product...Dotty McMillan*(tie)
The People's Choice...Scott Mizevitz *
Most Original.........Helen Bradley*
Designer's Choice...Scott Mizevitz*
Honorable Mention...Deborah Anderson*
*denotes NPCG member
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Last Updated on Friday, 27 April 2007 08:30 |
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We All Need Professional Photographs |
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Monday, 19 March 2007 17:16 |
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Anyone wanting to sell their work or display their work needs professionally photographed images. We are all weekend warriors with our digital cameras but if you need to put your best foot forward you must seek out the help of a professional. That sounds and is an expensive endeavor. Photographers are artists and technicians. They will take many pictures to get you the two or three great images you want. Their time is worth every penny. They have spent a lifetime experimenting so you dont have to. Heres how one group of artists succeeded in getting professional photographs at a reasonable price.
We are a small group of artists who hired a photographer to spend an entire day shooting art in digital format. We checked his credentials carefully and sent him a written proposal. We asked him for a price for a days shoot and how many images we could expect to receive for that price, taking into account that we wanted 2 good images (which for him could translate into 15 or more shots) of a lot of different artwork. We took that price and divided by the number of images and decided if we could afford it as a group. We worked closely with that photographer and heres some things that worked for us.
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Last Updated on Friday, 23 March 2007 18:57 |
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